課程資訊
課程名稱
 全球脈絡中的西方音樂
WESTERN MUSIC IN THE WORLD CONTEXT 
開課學期
 98-1 
授課對象
 學程  歐洲暨歐盟研究學程  
授課教師
 陳人彥 
課號
 Music5066 
課程識別碼
 144EU0940 
班次
  
學分
 3 
全/半年
 半年 
必/選修
 選修 
上課時間
 星期一6,7,8(13:20~16:20) 
上課地點
 樂學館105 
備註
 本課程以英語授課。英語授課，開課單位:音樂學研究所。
限學士班三年級以上
總人數上限：15人 
Ceiba 課程網頁
 http://ceiba.ntu.edu.tw/981westernmusic 
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課程概述

THIS COURSE EXPLORES THE PHENOMENON OF WESTERN MUSIC IN THE CONTEXT OF WORLD MUSICAL TRADITIONS AS A WHOLE. IN OTHER WORDS, IT CONSIDERS WESTERN MUSIC NOT AS AN AUTONOMOUS, SELF-CONTAINED PRACTICE, BUT MORE BROADLY INVESTIGATES THE INTERACTIONS, TENSIONS, AND CONFLICTS AMONG DIVERSE MUSICAL STYLES, CULTURES, AND IDEOLOGIES, WITH THE CANONICAL EUROPEAN REPERTORIES AS A FOCAL POINT. HENCE, THE ISSUES OF HEGEMONY, EXOTICISM, COLONIALISM, AND POSTCOLONIALISM WILL BE OF PARTICULAR CONCERN IN THIS COURSE. WE SHALL CONSIDER THE WAYS IN WHICH THE OFTEN UNEQUAL POWER RELATIONSHIPS THAT CHARACTERIZE THE ENCOUNTERS OF DIFFERENT TRADITIONS ARE BOTH HIGHLY PROBLEMATIC AND POTENTIALLY PRODUCTIVE OF VITAL NEW CULTURAL FORMS, PRACTICES, AND IDENTITIES. 

課程目標
 TO DEVELOP AN UNDERSTANDING OF GLOBAL MUSICAL AND CULTURAL INTERACTIONS NOT MERELY AS THE "MIX" OF CULTURES, BUT AS COMPLEX, DYNAMIC INTERACTIONS OFTEN WITH SOCIAL, POLITICAL AND ETHICAL IMPLICATIONS 
課程要求
 CLASS PARTICIPATION (ATTENDANCE, CONTRIBUTION TO DISCUSSION, RESPONSE PAPERS) 50%
SEMESTER RESEARCH PROJECT 50%
 
預期每週課後學習時數
  
Office Hours
 每週三 16:00~18:00 
指定閱讀
  
參考書目
 BERGERON, KATHERINE AND BOHLMAN, PHILIP V., EDS. DISCIPLINING MUSIC: MUSICOLOGY AND ITS CANONS (CHICAGO, 1992).

BHABHA, HOMI. THE LOCATION OF CULTURE (LONDON, 1994)

BORN, GEORGINA AND HESMONDHALGH, DAVID, EDS. WESTERN MUSIC AND ITS OTHERS: DIFFERENCE, REPRESENTATION AND APPROPRIATION IN MUSIC (BERKELEY AND LOS ANGELES, 2000).

HEAD, MATTHEW. ORIENTALISM, MASQUERADE, AND MOZART’S TURKISH MUSIC (LONDON, 2000).

KRAUS, RICHARD CURT. PIANOS AND POLITICS IN CHINA (NEW YORK, 1989).

MORGAN, ROBERT, ED. MUSIC AND SOCIETY: MODERN TIMES (ENGLEWOOD CLIFFS, NJ, 1993).

NETTL, BRUNO. THE WESTERN IMPACT ON WORLD MUSIC: CHANGE, ADAPTION, AND SURVIVAL (NEW YORK, 1985).

SAID, EDWARD. ORIENTALISM (NEW YORK, 1979). 
評量方式
(僅供參考)
    
課程進度
週次
日期
單元主題
Week 1
 9/14  Introduction 
Week 2
 9/21  Western Music in the World Context: Preliminaries 
Week 3
 9/28  20th-Century Western Art Music in the World Context 
Week 4
 10/05  Western Musical Concepts and Institutions in the World Context 
Week 5
 10/12  Interactions of Western Music and “World” Musics 
Week 6
 10/19  Traditional Identities and Western Music 
Week 7
 10/26  Western Music in the World Context: Preliminary Conclusions 
Week 8
 11/02  The Concept of “Western” Music 
Week 9
 11/09  “West” vs. “East” 
Week 10
 11/16  Western Music and Its Others: Principles 
Week 11
 11/23  Hybridity and “Third Space” 
Week 12
 11/30  Western Music and Its Others, Case Study 1: Mozart 
Week 13
 12/07  Western Music and Its Others, Case Study 2: Bartok 
Week 14
 12/14  Western Music and Its Others, Case Study 3: “New” Music 
Week 15
 12/21  Final presentations 
Week 16
 12/28  Final presentations 
Week 17
 1/04  Final presentations